Claude VERLINDE (1927–2020) - Lot 53

Lot n° 53
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Estimation :
5000 - 6000 EUR
Result with fees
Result : 5 000EUR
Claude VERLINDE (1927–2020) - Lot 53
Claude VERLINDE (1927–2020) The Wolves, 1953 Oil on hardboard Signed "C Verlinde" and dated lower right 100 x 119 cm Original frame designed and painted by the artist (Crackle finish) We thank Mrs. Marie-Thérèse Verlinde, wife of Claude Verlinde, for kindly confirming the authenticity of this work. A certificate written by Mrs. Marie-Thérèse Verlinde dated April 16, 2026, will be provided to the buyer. PROVENANCE Descendant of Mr. Victor Michon, art dealer DESCRIPTION A French painter, engraver, and illustrator of Flemish origin, he joined the Galerie des Antiques and Jean Souverbie’s studio at the École des Beaux-Arts in Paris. He also attended the anatomical drawing sessions at the Grande-Chaumière. A few years later, he met Robert Tatin in Vallauris. Under his influence, he experimented with art brut (several "Nef des fous"), which he would quickly abandon to develop a more personal style. Due to his Flemish heritage, he was influenced by Hieronymus Bosch, Pieter Brueghel the Elder, and James Ensor, and became the Master of Fantastic Realism. A philosopher and moralist, he composed his scenes like fables open to multiple interpretations. Disturbing or humorous, they oscillate between tenderness and gravity, caricature and poetry. Humanity takes the form of imaginary characters, caricaturing the vanity inherent in individuals. This work is particularly interesting as it is an early piece. The artist’s style is already recognizable, though his touch is more restrained. The perspective and the sinuous movement of the background accentuate the unsettling atmosphere of this scene. The figures and animals depicted are expressive and seem frozen in the midst of action. THIS LOT WILL BE TRANSFERRED TO THE DROUOT STORE AFTER THE SALE; IT WILL NOT BE ELIGIBLE FOR RETURN. Please refer to the auction house’s terms and conditions regarding the collection of lots before bidding.
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